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She was trained by her father Prospero Fontanawho was a teacher at the School of Bologna. That might have been acceptable to van Gogh, but almost every other artist wanted acceptance, admiration and a steady income stream. contact with his thought. Print. The red knot is also discussed in Caroline P. Murphy, Lavinia Fontana: A Painter and her Patrons in Sixteenth-century Bologna (New Haven and London, 2003), 41–3. Antonietta Gonzalez (as well as her father, two sisters and other family members) had hypertrichosis (also … Perhaps his content could be displayed again on his web site D.874.15 À la fin de la Renaissance, Lavinia Fontana est une artiste réputée et l’une des toutes premières femmes She was the first woman artist to paint female nudes, and possibly the first female to … The following post first appeared on Three Pipe Problem in March 2011. Thank you very much again, it really touches me that there are so many people who have so much respect for him and his passion. 1 Kemp, Martin, ed. Lavinia Fontana’s portrait of Antonietta Gonzalez c. 1595. Ciacon was a Spanish Dominican theologian and scholar who lived in Rome. Renaud Camus has uploaded 25646 photos to Flickr. She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. Teised eraldusvõimed: 210 × 240 pikslit | 419 × 480 pikslit | 671 × 768 pikslit | 895 × 1024 pikslit | 4829 × 5527 pikslit. Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. (A nineteenth century engraving of Fontana’s painting is helpful in seeing these details.) Along these lines, as a female blogger, I sometimes find myself concerned with how I portray myself in writing. I think blog posts are my equivalent for self-portraits, especially since I’m not an artist! Cantaro, Lavinia Fontana Bolognese 'pittora singolare' 1552-1614, Rome, 1989, no. L’autoportrait suppose en principe l’utilisation d’un miroir, instrument qui se développe à partir du XVe siècle. New Haven: Yale University Press, 2003. Thank you for this interesting post about Fontana’s self-portraits. (3). This portrait is a tondo painted on copper (1579) and was created expressly for placement in a collection. Pour les articles homonymes, voir Fontana. Renaud Camus has uploaded 26082 photos to Flickr. Hi Dilshat! Lavinia Fontana. 5 Bohn, 254. Guest post by Katherine A. McIver, Professor Emerita of Art History, University of Alabama at Birmingham Thinking about the upcoming exhibition at the Prado, Madrid (October 2019) celebrating the Renaissance women artists Sofonisba Anguissola (1532–1625) and Lavinia Fontana (1552–1614) prompted me to revisit the self-portraits painted by these two women. 28 Jun. This month marks one year since my friend Hasan Niyazi, blogger from Three Pipe Problem, unexpectedly passed away. Voir plus d'idées sur le thème peintres italiens, femme peintre, mode renaissance. Selle eelvaate suurus: 524 × 600 pikslit. Although I don’t feel that I experience the same difficulties as women in the Renaissance period, I experience an element of self-awareness when I need to portray myself (either visually or in writing). Artemisia Gentileschi , Autoportrait comme allégorie de la peinture , années 1630, Collection royale . bobconsoli@gmail.com. Renaud Camus has uploaded 25965 photos to Flickr. (10). 2 Bohn, Babette. Thank you for making the corrections. Lavinia Fontana se forme dans l'atelier de son père, où elle rencontre les artistes et les mécènes de la ville [2]. Lavinia Fontana (née en 1552 à Bologne, morte en 1614 à Rome) est issue d’une famille bolonaise. Elle est née à Bologne , fille de Prospero Fontana , qui était un peintre de l' école de Bologne . I will let you know if anything comes of it. Son autoportrait (Autoportrait au clavicorde, accompagnée de sa servante)et qui date de 1577 ou 78, elle a 25 ans, nous montre en plus qu'elle est belle et qu'elle est musicienne ! For an example of extreme modesty in portraiture, see Sophonisba Anguissola’s. As Catherine King points out that in terms of self-portraiture, “the act of showing oneself to another was very different for a young woman than it was for a young man.”4 Hence, female artists needed to be careful in how they presented themselves in portraits. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. Lavinia Fontana. Renaud Camus has uploaded 25646 photos to Flickr. She is regarded as the first female career artist in Western Europe as she relied on commissions for her income. Biography. Autoportrait dans l’atelier (1579) Huile sur cuivre, diamètre 16 cm, Galerie des Offices, Florence. Italie, 1552-1614. Currently, the content of Hasan’s blog is no longer online, although I hope that will change in the near future. I wrote about this painting on a guest post at Three Pipe Problem a few years ago, and I regularly use this self-portrait when I discuss Renaissance art with my students. Her earliest known work, "Child of the Monkey", was painted in 1575 at the age of 23. Dec 9, 2014 - ‘Portrait of Antonietta Gonzalez’ was created in 1595 by Lavinia Fontana in Mannerism (Late Renaissance) style. Web. She continued on to create devotional pieces in larger scale and was successful until her death in 1614 at the age of 62. See also Babette Bohn, “Female Self-Portraiture in Early Modern Bologna,” in Renaissance Studies 18, no. Son père est peintre de la contre-réforme très en vogue auprès des papes. The inscription in the right-hand corner of her portrait states: “Lavinia Fontana married into the Zappi family made this 1579.” In fact, this reference to her marriage was advantageous not only for purposes of societal decorum, but also a way to emphasize her social status, since the Zappi family held a comparatively high status in society. My very best wishes to you and please accept my condolences on your loss, Robert H. Consoli would potentially benefit. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Nonetheless, we can see that Fontana wanted to portray herself in a certain way, especially since she knew that her image was intended for display alongside portraits of other prominent individuals. Biography Lavinia Fontana was born in Bologna, the daughter of the painter Prospero Fontana, who was a prominent painter of the School of Bologna at the time and served as her teacher. 401. Lavinia Fontana was an Italian painting who was known as the first female painter to paint female nudes. Lavinia Fontana learned painting from her father, Prospero Fontana, who was a highly-respected artist in Bologna. See Liana De Girolami Cheney, et. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. To overcome this, artists often used self-portraits to emphasis socioeconomic and intellectual status. Please note: JavaScript is required to post comments. Lavinia Fontana (Bolonia, bautizada el 24 de agosto de 1552-Roma, 11 de agosto de 1614) fue una pintora italiana del primer barroco. Hels says: October 6, 2014 at 1:53 pm. Did she welcome the idea of marrying into a high status family or did she find them pompous bores? Fue hija del pintor Prospero Fontana, pintor de la escuela de Bolonia, que le enseñó el oficio. Rather painting endures… Painting satisfying the sense of sight is more noble than music which only satisfies hearing. She was born in Bologna, the daughter of Prospero Fontana, who was a painter of the School of Bologna. New Haven: Yale University, 1989, 35-37. Your footnote no. (23) Still, historians and critics look to Self Portrait at the Keyboard and Self Portrait in the Studiolo as the primary self portraits of a woman who may have been the most talented professional woman portrait painter in Bologna. Lavinia Fontana, Autoportrait (1588) Une autre artiste (re)connue s’adonne aux autoportraits délégués : Lavinia Fontana. 2018 - Explorez le tableau « Lavinia Fontana » de Dieu Dorian, auquel 324 utilisateurs de Pinterest sont abonnés. For instance, my mother and women of her generation still signed their names as Mrs. Husband’s Name, as if they were subsumed by their marriage. In translation, the inscription reads, “Lavinia virgin/maiden of Prospero Fontana has represented the likeness of her face from the mirror in the year 1577.” Isn’t it interesting that Fontana is emphasizing her virginity? (4) Self Portrait at the Keyboard was a painting produced by Fontana for her future father-in-law, Severo Zappi. The red knot that is placed on the instrument was a symbol of love and betrothal at the time, which can also tie into Fontana’s interest in maintaining social decorum. which could be re-hosted? Renaud Camus has uploaded 25965 photos to Flickr. Lavinia Fontana, “Self-Portrait at the Spinet,” 1577. Thank you for your comment. 6 Name also appears in art history texts as Alonso Chaçon and Alfonso Chacon. For more information, see Liana De Girolami Cheney, et. He is sorely missed. Autoportrait. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Lavinia Fontana (August 24, 1552 – August 11, 1614) was a Bolognese Mannerist painter active in Bologna and Rome. The placement of a maidservant behind her, along with her richly colored wardrobe also helped to convey Fontana as financially stable. Après son père, son mari lui trouve ses commanditaires, diffuse et vend ses œuvres. There are five self-portraits by Lavinia Fontana that are known: four paintings and one drawing. Voir plus d'idées sur … An email notification will be sent whenever a new post appears on this site. Los Angeles County Museum of Art, Los Angeles, CA. She was a skilled portraitist and was often commissioned by weathly members of the Bolognese elite to create portraits to commemorate influential moments in their lives. After marrying Paolo Zappi, she gave birth to 11 children and moved to Rome in 1603. Lavinia Fontana, autoportrait; ca. 17 King, Catherine. 4 King, p. 67. Auto-portrait à l’épinette, Lavinia Fontana, huile sur toile, 1577, Rome, Accademia Nazionale di San Luca . Thank you for your citation and information. he definitely had very good insights into western art from which a much larger community 12 janv. If you are interested in seeing information about the remaining three self-portraits which are not discussed in this post, see article by Bohn. Washington: DC: New Academia, 2009). Lavinia Fontana, Self-portrait at the Clavichord with a Servant, 1577. 2012. (9) Because she would marry a man with higher social status than her own, it was imperative that she appear to be of a higher status than perhaps she really was. Renaud Camus has uploaded 25646 photos to Flickr. 19.1 (1998): 3-8. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Agreed totally, since an artist who did not meet societal expectations was unlikely to find a market for his/her paintings. See more ideas about fontana, female artists, portrait. Self Portrait in the Studiolo was painted for Alfonso Ciacon in 1579. Commission yourself a portrait today! Lavinia Fontana (Bologne 1552 – Rome 1614) Vénus et l’amour 1592, Huile sur toile l Dépôt de l’Etat, 1874 l Inv. 1600. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? For more information, see Liana De Girolami Cheney, et. Lavinia Fontana (August 24 1552-August 11 1614) was an Italian painter.. I hope Lavinia was able to continue to express her individuality in spite of societal obligations. Artemisia Gentileschi, Self-Portrait as the Allegory of Painting, 1630s, Royal Collection. your own Pins on Pinterest Lavinia Fontana: Autoportrait au clavecin 1577 Huile sur toile - 270 × 240 mm Accademia Nazionale di San Luca, Rome . (21). Lavinia Fontana, Autoportrait au Clavicorde avec un serviteur, 1577. 4a.7, p. 64).Created as a marriage portrait for her … charges. In addition, Fontana is interested in suggesting her wealth; she depicts herself in lavish clothing and she is sitting in an armchair (poor people owned only stools at this time).7. (13) Since, “the ‘emblematic significance’ of dress made possible the visible marking out of one’s parental and marital identity,” her clothing choice seems skillfully chosen. 2 (2004): 251-256. À 25 ans, en 1577, Lavinia Fontana épouse un peintre mineur Gian Paolo Zappi d'Imola, qui arrête sa carrière pour devenir son assistant. “Female Self-portraiture in early modern Bologna.” Renaissance Studies. With good wishes, Liana. Re your note that Fontana was careful in how she had presented herself, in order to meet societal expectations. Vintage Art. Lavinia Fontana pose le problème des femmes http://www.squinchpix.com Washington: DC: New Academia, 2009). Mar 27, 2016 - Lavinia FONTANA, Portrait d’homme assis feuilletant un livre, dit Portrait du sénateur Orsini.JPG Besides evoking interesting points about chastity and propriety, the inscriptions are a reminder that the status of a woman was based on marriage, even as she shed her own identity. community of his many admirers would very much like to see it restored in some form. Discover (and save!) Lavinia Fontana: Liste d'œuvres - Toutes les œuvres par date 1→10. 5 is Autoportrait avec un chien (Autorretrato con Perro Itzcuintli) a été réalisé en 1938 par la peintre mexicaine autodidacte Frida Kahlo (1907-1954), … Lavinia Fontana fut la première femme à disposer officiellement d’un atelier. Web. Fontana presents herself as a confident and fairly attractive woman. This blog focuses on making Western art history accessible and interesting to all types of audiences: art historians, students, and anyone else who is curious about art. 2014 - Découvrez le tableau "Lavinia Fontana" de Mori Mori sur Pinterest. Fontana looks confident and comfortable in her environment, even though this is the only self-portrait from the sixteenth century in which a female is seem studying the antique nude. Leonardo on Painting. 5 Jul. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. erudition on display again for those who knew him and for those who have yet to come into Print. (11) While there is no evidence that Fontana actually played a musical instrument, her choice to include the keyboard “elevated herself from dilettante to professional… from one who practices a craft to someone with skills equal to that of the musician, poet, writer, and philosopher.” (12) This helped, too, with elevating her social and economic status in Renaissance society. Required fields are marked *, You may use these HTML tags and attributes:

. While this portrait is an obvious reference to her artistic career, Fontana still had to keep in mind her appearance for the public eye. Lavinia Fontana va juste après Sofonisba Anquissola dans la liste des célèbres peintres de l´époque de la Renaissance. Lavinia Fontana (1552–1614), Self-Portrait at the Clavichord with a Servant, 1577, oil on canvas, 27 x 24 cm, Rome, Accademia di San Luca. Sofonisba Anguissola, Lavinia Fontana, Artemisia Gentileschi mais aussi Virginia Vezzi, Orsola Maddalena Caccia, Giovanna Garzoni… Nombreuses sont donc les femmes peintres à s’être frayé un chemin au cœur de l’effervescence artistique et culturelle de la Renaissance ! Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. (1988): 4-30. She can’t be helping Lavinia, because in that case the music would stand before the eyes of the player, so what then? Our embroidery kit…. (15) However, Fontana’s self portrait provides an allusion to artistic labor, with the placement of the easel behind her, a reminder of her artistic background and interests. Or maybe improving an existing one? Lavinia Fontana (August 24 1552-August 11 1614) was an Italian painter. 6. Quand elle épouse, en 1557, le peintre Gian Paolo Zappi, son talent est déjà reconnu et elle réalise les portraits de notables de Bologne. . Lavinia Fontana’s Self Portrait at the Keyboard of 1577 Self Portrait in the Studiolo, 1579 Leonardo Di Vinci said, “Painting excels and is superior in rank to music because it does not perish immediately after its creation, as happens unfortunately with music. Découvrez vos propres épingles sur Pinterest et enregistrez-les. Lavinia Fontana. This might account for why the musical pages are tilted up at an angle, so they can be easily seen by the viewer. 40. musical notation) to Lavinia, which ultimately stresses Lavinia’s education as one who can read music? I too, am very keen for his blog to be back online for educational purposes and for those who just wish to admire his work. Influenced by painters such as Ludovico Carracci and Sofonisba Anguissola and a practicer of Italian mannerist style, Fontana became highly successful with her detailed and delicate portraits. -Self Portraits-   -Noblewomen-   -Gozzadini Family Portrait-   -Tognina Gonzales-   -Extended Bibliography-    Vers la fin des années 1570, la jeune fille se fait connaître dans la ville par ses portraits, notamment l'Autoportrait au clavecin (1577, académie de Saint-Luc à Rome) et le très formaliste Famille Gozzadini (1584, pinacothèque de Bologne). I’m sure that I could be responsible for any reasonable hosting Lavinia Fontana. 14 Simons, Patricia. Maybe the servant’s actions are less important in comparison to the fact that she is bringing printed music (i.e. Lavinia Fontana, born in Bologna in 1552 to Prospero Fontana, became one of the most popular Italian painters of her time. Née à Bologne en 1552, Lavinia Fontana étudie la peinture maniériste auprès de son père, Prospero Fontana (1512 env.-1597), représentant mineur de l'école bolognaise. Fontana also chooses to emphasize her accomplishments and abilities: she is playing an instrument and her easel is distinctly placed in the background. 5 Bohn, 254. It is not until Lavinia Fontana’s Self Portrait at the Keyboard of 1577 and shortly after, her Self Portrait in the Studiolo from 1579, that the first portrait directly referring to the artist’s vocation, artistic labor, appears. If Mr. Niyazi was some pedestrian blogger I would not bother but UPDATE: Since writing this initial post in 2011, I have written more about Lavinia Fontana’s “Self-Portrait” for the Ciacón collection elsewhere on my blog: “Lavinia Fontana’s ‘Self-Portrait’ and Gender.”. 7 King, 73. Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. Although I am hopeful that the job market for women in academia is ever-improving (and equalizing), I think many women still feel cautious in how they present themselves in the academic world (in order to keep a competitive edge against men). Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? 4 King, p. 67. 6 Name also appears in art history texts as Alonso Chaçon and Alfonso Chacon. 4 Murphy, Caroline P. Lavinia Fontana : a painter and her patrons in sixteenth-century Bologna. Although I appreciate your writing on Lavinia Fontana. In fact, the painting could be viewed in its entirety as a love knot– as a gift for the bethrothed.” (8) The expensive musical instrument suggests, perhaps falsely, that the Fontana family is financially stable, if not downright wealthy. On 17 October 1578, Dominican scholar Alfonso Ciacón wrote to Fontana and requested her portrait; Ciacón intended to publish an engraved gallery of 500 portraits of respected scholars, artists, and statesmen.6 No doubt Fontana felt honored to have her portrait be included in this engraved “gallery.” Fontana sent this portrait to Ciacón in 1579, but the book of engravings was never published. wide circle of his admirers. Sep 23, 2020 - Lavinia Fontana – Self-portrait at the clavichord with maid-servant [1577] Selbstportrait am Clavichord mit Dienerin [1577] Rom, Accademia di San Luca Her family relied on her career as a painter, and her husband served as her agent and rai… Nov 26, 2018 - Explore Gordana Kotur's board "lavinia fontana" on Pinterest. Fontana (Jean), né à Mili près de Côme en 1540, mort en 1614, fut un des architectes de l'église de Saint-Pierre de Rome, mais excella surtout dans l'hydraulique. reffga@goldmail.etsu.edu, Lavinia Fontana’s Self Portrait at the Keyboard of 1577, Leonardo Di Vinci said, “Painting excels and is superior in rank to music because it does not perish immediately after its creation, as happens unfortunately with music. Grace Reff 'Pine Cones' She manifests her scholarly pursuits (she’s not just a mere “craftswoman”) by showing herself among anatomical casts and classical statuettes. Biographie. Protégée des papes Jules III, puis Grégoire XIII, la famille Fontana possède l’un des ateliers les plus en vue de Bologne. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. Lavinia Fontana est l'unique enfant de Prospero Fontana et d'Antonia de' Bonardis. I have thought about Hasan a lot lately, particularly because I think he would enjoy some of the topics I am exploring with my students. I am currently in the process of restoring the content of 3pipe.net, I was lacking the technical knowledge but have now found someone to assist with that. Murphy says, “a love knot has been placed on the keyboard, which could also point to a context of betrothal. Not only is she wearing modest clothing, but she further emphasizes her respectability by stating that she is married. In the meantime, I would like to make this post I wrote available again, in Hasan’s memory. Découvrez vos propres épingles sur Pinterest et enregistrez-les. Lavinia Fontana est l'unique enfant de Prospero Fontana et d'Antonia de' Bonardis. (17) Ciacon knew of Fontana’s work and requested she send him “a little portrait of yourself… which can then accompany that of Sophonisba which shall thus be seen and looked at and recognized by everyone as it shall be made into a print among those five hundred illustrious men and women which shall be engraved in copper at the expense of his Grace the Archduke Ferdinand of Austria.” (18). She wears a dress in the traditional color of Bolognese wedding dresses and is covered in coral, gold and pearled jewelry. Fontana visually manifests this care by not only stressing her virginity, but by appearing in modest red dress that suggests marriage (red was the traditional color for wedding dresses in Bologna).5, Lavinia Fontana, “Self Portrait In a Tondo,” 1579. Née à Bologne en 1552, Lavinia Fontana étudie la peinture maniériste auprès de son père, Prospero Fontana (1512 env.-1597), représentant mineur de l'école bolognaise. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. I assumed that she is bringing music for Lavinia to play. all,Self -Portraits of Women Painters. She is one of my favourites! I certainly feel that way. Since Renaissance women weren’t always in control of how they were portrayed in art (women were often depicted by male artists), I like to see how a female artist represented herself when she did have control over her image. Few artists, especially women artists, would risk expressing their true feelings in writing. Lavinia Fontana, (born 1552, Bologna [Italy]—died August 11, 1614, Rome), Italian painter of the Mannerist school and one of the most important portraitists in Bologna during the late 16th century. While emphasizing good social status was important for all painters during the Renaissance, it was especially important for females whose self portraits were often the first image seen by their future husbands. Renaud Camus has uploaded 26082 photos to Flickr. 25. 1) ou encore Artemisia Gentileschi15 qui se représentent en musiciennes. I think this Latin inscription is rather interesting, since it is indicative of the social situation for female Renaissance artists. This site focuses on her portraits. Fontana’s earliest self-portrait is quite unique, since it was created as a marriage portrait. . L'attention qu'elle porte au détail rappelle le travail d'une autre représentante de la Renaissance originair… Lavinia FONTANA, "L'homme sauvage" Histoire & Image, L2 Histoire Lyon Nous traiterons ici, à partir du portrait de Tognina Gonsalvus peint par Lavinia Fontana, de la vie de l'artiste et de la signification du tableau, aussi en le replaçant dans une plus large perspective des représentations de ces raretés de la nature, mi-hommes mi-animaux, dont l'iconographie est remplie à l'époque moderne. She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting. Le cadeau a été envoyé à l'occasion de la proposition de mariage, célébré le 13 Février 1577. On the other hand, the musical instrument also indicates an awareness of the relationship between musical talent and artistic capability.

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